![]() Both these units have switchable bass roll-off but we’re a little disappointed that there’s still no phase switching. They are certainly impressive at this price point. The Capybara-320 as an audio interface can operate at 44.1, 48 khz. All supported USB audio interfaces can operate at 44.1 or 48 khz sample rates. All other supported FireWire interfaces can operate at 44.1, 48, 88.2, 96 khz. The mic preamps have solid-sounding, low-noise circuitry with ample gain for most applications. MOTU FireWire interfaces supported by the legacy drivers (Traveler, Ultralite mkI, 828mkII) can operate at 44.1, 48 khz. ![]() Behringer UPhoria UMC1820 Audiophile USB Audio/MIDI Interface W/2x 15 Mic Cable. ![]() Since the mic preamps and converters are identical, there is nothing to choose between the 610 and the 1616 in the sonic stakes. Behringer FIREPOWER FCA610 6x10 USB/FireWire Audio/MIDI Interface - With Gator Cases GU-1309-06-WPDF Waterproof Case with Diced Foam SKU: BEFCA610A. Both the 610 and the 1616 have Kensington security lock ports. The 1616 streams a pretty impressive 16 inputs and outputs, and a further eight microphone inputs and eight outputs can be added by linking a Behringer ADA8000 via ADAT. It’s almost twice the width but you have the option of choosing to use it as a portable device or attaching the rackmount brackets for permanent installation. ![]() This time the digital formats include S/PDIF (coaxial and optical), ADAT and S/MUX. Each input channel also has unbalanced inserts, so you can patch in compressors, equalizers, etc, to process the signals before they’re digitally converted and sent to the DAW. The 1616 is more or less identical to the 610 but the number of inputs is doubled to eight, with four mic amps on the front panel.
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